It’s going to be her third incarnation, can’t quite believe it! So for all futuraptureponies anything please attend:http://www.raptureponies.com/
There’ll be suitable eclecticity, Dear RPs letters and stuff from my web crawling.
Oh yeah, and according to the boys in charge, RPs feed is now at http://www.raptureponies.com/feed so please update it
I wanted to go on the Plinth. I think Anthony Gormley does awesome work.But I’m happy for those cool kids who are getting up there, especially the birthday girl.
The Daily Daydreamer was on twitter earlier talking about how someone on the train had a flicky knife. So i was telling her how something similar happened to me.
I was on a train probably from Galway to the Midlands, when some girl across the aisle starting talking about knives and then pulled out a samurai sword.
The train was pretty quiet so there were minimal sharp intakes of breath. She waved it around a small bit, said where she’d bought it, told her friend it was the best in her collection and then put it back in it’s sheath.
I was thinking the other day about the ownership of songs. I heard someone talking about something and I realised it was mine.
Hear this?
It’s mine. Stop it, because it’s mine. It was mine from the first time I heard it on CD, on my bus to college. I met the sound and I got it. The harmonies, the lyrics, the momentum. They’re all mine.
The FLips are mine too:
Same with this:
“Pam Shortt’s broken both her legs and I wanna dance with you”
And..
“My name is Inigo Montoya, you killed my father, prepare to die.”
There are just a few, they’re mine. I don’t like when anyone else says oh yeah, that’s OK, it’s like you’re dissing my friends or my ma.
They’re like old friends that other people try to steal from me. I *own them* and a select few others.